Ulrika Spacek’s fourth album ‘EXPO’ finds the East London collective drifting further into uneasy electronics, fractured art-rock and blurred digital textures. Written between tours, studios and cities, the record reflects on isolation, hyper-individualism and the increasingly unfashionable idea of making things together. The five-piece continue to operate less like a traditional band and more like a long-running group project with very good taste in synths, sharing writing, production and ideas across every stage of the process. On ‘EXPO’, analogue warmth collides with synthetic precision, creating songs that feel disorientating, playful and oddly intimate at the same time.